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Liz Ward: The Present of Past Things [Perspectives
110]
The catalogue accompanied the artist's first one-person
museum exhibition and focused around a new series of paintings,
watercolors, etchings and silverpoint drawings—made since
1994—for which natural science and memory are the inspiration.
The work is abstract and poetic, seducing the viewer by its
sheer visual beauty. Includes an essay by Lynn M. Herbert;
documentation on the artist’s career
1998. 20 pages, 10 black-and-white reproductions. ISBN-936080-45-0
$2.00 |
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Carrie Mae Weems: The Kitchen
Table Series [Perspectives 96]
The publication accompanied an installation of the
artist's seminal photographic representations of the
verbal and visual details associated with this most
mundane of domestic rooms. The installation included
photographs by and of the artist herself and focused
around the use of folk wisdom, blues, lyrics and slang
to tell the story of one woman's struggle with love
and the balance of male/female power in contemporary
life. Includes an essay by Dana Friis-Hansen, documentation
on the artist’s career.
1996. 16 pages, 16 black-and-white reproductions. No
ISBN $2.00
THIS PUBLICATION IS OUT OF PRINT |
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H.C. Westermann (see
See America First: The Prints of H.C. Westermann)
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When 1 is 2: The Art of
Alighiero e Boetti
Alighiero Boetti’s work was centered on his belief
in the artist’s dual role as a “shaman/showman.” In
the early 1970s, he renamed himself as a dual persona “Alighiero
and Boetti,” reflecting the opposing factors
presented in his work—the individual and society,
error and perfection, order and disorder. Primarily
associated with the group of conceptual artists based
in Italy known as Arte Povera, the artist used a broad
range of media over the course of his career. The exhibition
and catalogue present work from the late 1960s until
his death in 1994. Includes essays by Paola Morsiani
and Barry Schwabsky, an interview with the artist by
Achille Bonito Oliva, selected texts by Alighiero Boetti;
documentation on the artist’s career.
2002. 112 pages, 33 color, 40 black-and-white reproductions.
ISBN 0-936080-75-2 $24.95 |
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Anne Wilson (see Perspectives
140: Anne Wilson)
THIS PUBLICATION IS OUT OF PRINT |
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Perspectives 148: Su-en Wong
Perspectives 149: Su-En Wong was published in conjunction with the Texas museum debut of New York painter Su-En Wong, which featured a number of the artist’s large-scale works. The Singapore-born artist creates hyper-stylized self-portraits that play, pose, and preen against monochromatic backdrops of saturated color. The childish games they evoke recall the uniformed world of the Chinese Catholic girls’ school of Wong’s youth and her shifting psychological experience as an Asian female in America responding to the presumptions and objectifications that stem from her gender and ethnicity. Includes an essay by Valerie Cassel Oliver; documentation on the artist’s career.
2005. 13 pages. Paperback. 6 black-and-white reproductions. ISBN 0-936080-96-5. $2.00
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