Brown Foundation Gallery

Jane Alexander: Surveys (from the Cape of Good Hope)

On View: August 11 – November 4, 2012

Opening Reception: Friday, August 10, 2012 | 7-9PM

Jane Alexander’s hybrid mutants speak to the porous borders between humans and other forms of animal life. Alexander acts as a surveyor mapping the forces, interests, and passions at play in human behavior. Her sculptures, installations, and photomontages are firmly rooted in her South African experience. They also transcend their locality, revealing the disparity felt every day around the world between the rhetoric of peace and decorum and the human capacity for oppression and violence. Alexander’s body of work throws into relief the asymmetric relations and practices that preclude access for so many people to a free and dignified existence.

Jane Alexander: Surveys (from the Cape of Good Hope) is a major exhibition of  works by important South African artist Jane Alexander and is organized by the Museum for African Art (MfAA), New York, and supported, in part, by the National Endowment for the Arts. It is guest curated by Pep Subirós.

About the Artist

Jane Alexander, born in Johannesburg, South Africa, works primarily in sculpture and photomontage and is widely known for her sculpture, Butcher Boys (1985-86) in the collection of the South African National Gallery. Alexander’s solo exhibitions include Jane Alexander: On Being Human (2009) at the Galilee Chapel of Durham Cathedral, Survey (2009) at the Jack Shainman Gallery in New York, Jane Alexander (2000) at Gasworks in London, and Bom Boys and Lucky Girls (1999) at the University of Cape Town, Irma Stern Museum. Her artwork has been exhibited widely in international group exhibitions including the Venice, Havana, Gothenburg, Tirana, Bamako, São Paulo, Singapore, and Dakar biennials. She has also participated in such group exhibitions as Africa Remix (2006) exhibited in Europe, Japan, and South Africa; Apartheid: The South African Mirror (2007) in Spain; Personal Affects: Power and Poetics in Contemporary South African Art (2004) in the USA; and The Short Century (2002) in Germany and the USA. She currently teaches at the University of Cape Town’s Michaelis School of Fine Art.

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sponsors

This exhibition has been made possible by the patrons, benefactors and donors to the Museum's Major Exhibition Fund: Major Patron - Chinhui Juhn and Eddie Allen, Fayez Sarofim, and Michael Zilkha. Patrons - Mr. and Mrs. I. H. Kempner III and Ms. Louisa Stude Sarofim. Benefactors - Baker Botts L.L.P. / Anne and David Kirkland, George and Mary Josephine Hamman Foundation, Louise D. Jamail, Marley Lott, Beverly and Howard Robinson, Andrew Schirrmeister III, Leigh and Reggie Smith, and Mr. Wallace Wilson. Donors - Anonymous, Bank of Texas, Bergner and Johnson Design, Jereann Chaney, Susie and Sanford Criner, Elizabeth Howard Crowell, Dillon Kyle Architecture, Sara Dodd