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Matthew Ritchie: Proposition Player

LESSON PLAN
Emphasizing Scale When Creating a Site-Specific Work of Art

OBJECTIVES
1. To learn about Matthew Ritchie’s site-specific art
2. To learn how to re-create large scale drawings, possibly as a group project

MATERIALS
Overhead projector, butcher block paper, drawing and painting supplies

BACKGROUND DISCUSSION

Matthew Ritchie is an artist who was born in London in 1964 and is now living in New York City.
Seven years ago, Ritchie embarked on an impressive undertaking—to create his own “map of everything” from the Big Bang forward. His tale is told in paintings, drawings, and other media through a visual language of his own making: a group of characters that are drawn from such diverse sources as mythology, quantum physics, alchemy, gambling, biblical stories, pulp fiction, and cartoons. Mining lost causes, speculative science and the abandoned corners of our culture, Ritchie’s project celebrates the countless connections to be found in our seemingly chaotic universe.


Matthew Ritchie, Where I’m Coming From, 2003

Matthew Ritchie makes very complex large-scale wall drawings, paintings and sculptures. Many of these pieces start out as small drawings which are then re-created on large surfaces. Many times these drawings are layered upon each other to create a dense network of lines, colors and shapes.


Matthew Ritchie, Off the Hook, 2003

Much of Ritchie's artwork is site specific, meaning it is a unique work of art that is created specifically for a designated area. In museums and galleries, these pieces are often temporary and no longer exist after they are taken down.

ACTIVITY I
Have the students make pen and ink drawings on letter size paper. Take a drawing and photocopy it onto transparency film. Tape a large piece of butcher block paper to the wall and project the drawing onto it. Trace the drawing onto the paper. Be sure to recreate all of the details of the drawing, such as the thickness of the line and shading, if any.

[OPTION:
Create a multi-layered wall drawing as a group project.
Choose several of the students’ drawings and copy onto transparency film. Next, layer the transparencies on the projector and move them around until a pleasing and energetic composition is agreed upon by the students.
Fill in the outlines with paint (or colored pencils or collage elements).
Choose a site and time to hang the final project. The location may be on a wall, floor, ceiling, or may be pinned across a combination of the above. The time be long term— in the classroom for the duration of the semester, or short term—on the hallway floor until it’s trampled by students or across the lockers in the hallway until the bell rings for the next class.

CLOSURE:
Discuss the difference between the original drawing and the final project. How did the larger scale change the drawing? Discuss the impact of the location and time period of the display of the project. Think of other places and times for future site-specific works of art.

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